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Eating Dinosaur
People are expected to respond to any direct questions they are asked irrespective of their relationship with the interviewer (Klosterman 1). Some professional claim that it is human nature to respond to any inquiry, if that is the case then why do people feel irritated during conversation? Is it thus true that people naturally respond to one another and what is discomforting in answering questions? The essay paper, therefore, focuses on the book entitled “Eating dinosaur. Mainly, it develops an argumentative essay from the two documentations of the book namely   “Something instead of Nothing” and “Oh, the Guilt”.
Professional experiences are majorly sustainable when scholars ask argumentative questions to understand the cause and consequences of events. The questions range from personal thoughts, the meaning of satisfaction, the feeling of being famous, and the elements of psychological changes as well as the existence of God. However, how do such kinds of investigation help to improve the professionalism of specified individuals? Arguably, strangers may feel upset when they are asked about personal things like sense of satisfaction, who constructed them and the reason the interviewer should care about their verbal responses. It is also relevant for people to sun away any form of communication that seems irrelevant and time-consuming but journalists have deployed such kind of random conversation and inquiries to enhance their profession (Klosterman 2).
Journalists have a fundamental method for ensuring dynamic conversations and dialogues for financial gain. They allow the audience to find out sensitive information from their clients through randomly selecting people to ask questions. Debatably, give a person a chance to pose their thought in public may cause emotional concern because diverse psychological anxiety drives different people. On the other hand, who will not be happy if his financial income is as a result of being curious? The news anchors thoughtfully elevate intimacy between audiences that may not be well conversant with each other. Besides, some responses on some occasions lead to emotional reactions cause the listens to develop sympathy and empathy to the interviewed persons (Klosterman 5).
In my view, journalist always achieves a dynamic and semi-real dialogue when all programs run as planned. Moreover, it is important to interview strangers rather than engage in real talks to avoid social limitation because of unfamiliarity with one another. Errol Moris also claimed in his dialogue with a journalist from New York Observer that most people lack the privilege to access their mind. In another word, few professional ask themselves questions of personal concern as they meet them in interviews. Moris also argued that Robert McNamara except a public dialogue with him because McNamara thought that he could provide a vital avenue for the promotion of his new book at that period (Klosterman 6).
Another relevant point of an argument is the possibility to interfere with every aspect of life, for instance, the guitar. Most adults are fond of destroying objects to achieve a given purpose. However, people accused Pete Townshend as a pedophilia when he attempted to interfere with guitars during the period of his career.   Moreover, Nivara was charged to have destroyed his album known as “In Utero” because he smashed the instruments. In Utero is an album which seemed to be so corrosive that people could not determine its relationship to melody or metal. Advertiser, therefore, encouraged the audience to buy the product to know how a guitar can be destroyed rather than how the music is exciting. Is there any musician that can join mass success with merits of the artists? Why do people argue that connecting dissonance with a mass appraisal is the best way of getting valuation? Debatably, it looked like the In Utero album had to be conventionally uninteresting concerning the artists for the audience to consider it to have an exceptional quality. Perhaps, the bad part of the album is as because people had information that the fraction intentionally interfered with (Klosterman 7).
Different scholars assert that guitars are aggressive instruments event if there is a scenario of people wreck reminding the majority of the audience of the machine that tampered with fascist. However, some adage seemed to be inaccurate, for instance, according to the World Book Almanac most, authoritarian assassinated in music-related events are celebrated as Heros. (Klosterman 15)
It is notable that interviews are relevant in posting questions that people may not have thought on an individual basis. Moreover, the notion of destroying guitar depends on the expectation and knowledge of the artist on the best melody for a given album. People should, therefore, have free access to their mind and vital questions that prompt self-reflection and psychological satisfaction.
Work Cited
Klosterman, Chuck. Eating-Dinosaur-Chuck-Klosterman. 1st ed. Amazon: Kindle Press, 2009.     Web. 23 Feb. 2016.

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