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Critical Essay

Critical Essay
Using one or more of the films presented this semester as a case study, discuss the complex relationship between history and (personal or shared) memory in films that deal with the past.
Argo (Ben Affleck, 2012, 120 min)
Christopher Cram (2012), ‘Digital Cinema: The Role of the Visual Effect
Supervisor’, in Film History, 24, pp. 169-86.
Julie Turnock (2012), ‘The ILM Version: Recent Digital Effects and the
Aesthetics of 1970s Cinematography’ in Film History, 24, pp. 158-68.
The Battle of Algiers (Gillo Pontecorvo, 1966, 121 min)
David Forgacs, (2007), ‘Italians in Algiers’, Interventions, v 9, n 3, pp
Paul Haspel (2006), ‘Algeria Revisited: Opposing Commanders as
Warring Doubles in The Battle of Algiers’, Journal of Film and Video, v
58, no. 3, pp 33-42.
Russian Ark (Aleksandr Sokurov, 2002, 99 min)
José Alaniz (2011) ‘Crowd Control: Anxiety of Effluence in Sokurov’s
Russian Ark’ in Beumers, Birgit Condee, Nancy (eds) KINO – the
Russian Cinema : Cinema of Alexander Sokurov, pp.155-75 (UTS
library has web access)
Ivan S.Eubanks (2012) ‘The Irony of Absence in Aleksander Sokurov’s
Russian Ark’, in SEES, Vol. 26, Nos. 1-2, pp. 57-75
Gallipoli (Peter Weir, 1981, 110 min)
Leonard Richard (2009), ‘Gallipoli’, in Mystical Gaze of the Cinema The
Films of Peter Weir, Carlton: Melbourne University Press, pp. 164-189.
Michael Bliss (200), ‘The Deatch of a Nation’, in Dreams within a Dream:
The Films of Peter Weir, Carbondale: Southern Illinois Uni press,
Waltz with Bashir (Peter Weir, 2008, 90 min)
Katrina Schlunke (2011), ‘Animated Documentary and the Scene of
Death: Experiencing Waltz with Bashir’, South Atlantic Quarterly,
Vol.110 n. 4, pp.
Robert Moses Peaslee (2011), ‘It’s Fine as Long as you Draw, but Don’t
Film: Waltz with Bashir and the Postmodern Function of Animated
Documentary, Visual Communication Quarterly, vol.18 n.4, pp. 223-35.
3 movies or more from above and must use their readings in your essay. Do not quote, get their ideas and use your own words to deliver the messages.

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