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Creative Writing Assignment: Emotion Work vs. Impression Management   3-4 pages (more is okay too, if you really get going and want to have fun)         ! As we have been learning and exploring, emotions seem to be a product of two things: nature and nurture. While our emotions undeniably exist as biological impulses, the shaping, channeling, and direction of their expression is a culturally created and translated production. The paths our feelings should take are laid out for us by our culture in “feeling rules,” which, though not usually explicitly expressed, lead us to work towards norms of emotion, through both impression management and emotion work.         ! All of these things considered, I’d like you to create a bit of a different world. Write a story, or even a scene (as if from a play). Your description of the feeling rules, impression management, and emotion work of this world will reveal the depth of your understanding of these terms and how they relate to the current cultural parameters of our emotional world. Focusing on one emotion (though you may also use others in your description and discussion), write a vignette in which you fabricate an emotion, along with its own set of feeling rules and appropriate impression management. This emotion must not exist yet in any culture you know of – at least not as a named and codified emotion. Flesh out a scenario, explicitly showing how the emotion(s) in question is conceived of, used, shown, manipulated, and responded to. Be sure to really describe the emotion – how it’s felt, what it’s an appropriate and expectable response to, in what situations it can be expected to arise, what physical symptoms are attached to the experience and enactment of this emotion, and so on. Remember, you’re making something up here – including a nonexistent emotional experience (please remember, I don’t want you to use an emotion or set of emotions already in existence) – a total act of fabrication, but one that shows that you have a firm grasp of course concepts.          ! Reference appropriate readings and lecture throughout (footnotes may be more appropriate, so that you don’t disturb the flow of your story), in order to clearly show that you understand how course materials fit into what you’re talking about. Use names of author and text, along with page numbers and year written. ! Again, these are the basic requirements:            ! * make up an emotion           * explain what cultural circumstances give rise to this emotion         – you may also, then, need to more carefully explain the nuances of this particular culture or circumstance (it does not have to be a culture or circumstance already in existence)      * describe the physical symptoms, feeling rules and impression management that go along with this emotion – be absolutely sure that it is absolutely clear to the reader (me) that you understand the difference between emotion work and impression management (this is really the point of the assignment)     * appropriately reference readings to provide a deeper theoretical context   * do it all in the context of a story or a “scene”

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